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Tempo dos Mestres (Time of the Masters) is the second album from the tireless, young Brasilian guitarist Fabiano Do Nascimento. It finds its roots in the depths of the Amazon rain forest, passed down through generations of Native Brasilians, and is imbibed by the Afro-Brasilian culture that arose after Portuguese colonization. It is the third Brasilian album released on Now-Again, following Seu Jorge and Almaz and Do Nascimento’s debut Dança dos Tempos. Do Nascimento’s is joined on Tempo dos Mestres by his long time percussionist, Ricardo “Tiki” Pasillas on trap drums and percussion, and Sam Gendel on saxophone and flute. Vocals are performed by Thalma de Freitas and Carla Hasset.
The album was produced and mixed by Dança dos Tempos producer Luther Russell, who recorded Do Nascimento and his band directly to a 1/2″ Ampex tape machine with engineer Jason Hiller. It was sparingly mastered by Elysian Masters to focus on the subtleties of the performances. Do Nascimento’s fans include legendary percussionist Airto Moreira, who recorded Dança dos Tempos and can be found playing live with Do Nascimento. “He’s Brazilian but (his mind is) from a place in Brazil that is not common.” Moreira states. “Fortunately, we still have some musicians who like to play music and who like to touch the instrument and who like that energy!”
Below, a short video about the album by Bennett Pisctelli.
Above and below – two short films captured by Grace Oh and her team at Fabiano do Nascimento’s Dança dos Tempos release party at the Blue Whale in Los Angeles. On site – Brasilian percussion legend Airto Moreira who played with Fabiano on the studio album. More info on the project in our earlier post here.
Above – a short film about Dança dos Tempos, shot and edited by Bennett Piscitelli. More info on the project in our earlier post here – but really, what more do you need to hear than 1) young Brasilian guitarist 2) featuring legendary percussionist Airto Moreira 3) a mixture of the heady ‘60s and ‘70s experimentalism of Hermeto Pascoal and Baden Powell and the childlike elegance of music played and passed down by native Brasilians for generations?
Dança dos Tempos is the debut album from thrilling, young Brasilian guitarist Fabiano do Nascimento, and it features legendary percussionist Airto Moreira in his first album project in over ten years. Dança dos Tempos follows folkloric Brasilian music as experienced through the mind and able fingers of an expansive musician, not yet thirty years old, and combines the heady ‘60s and ‘70s experimentalism of Hermeto Pascoal and Baden Powell with the childlike elegance of music played and passed down by native Brasilians for generations. It is the second Brasilian album released on Now-Again, following Seu Jorge and Almaz.
Moreira, the bandleader, songwriter and producer who recorded a bevy of titles under his own name, with his wife Flora Purim, and whose resume contains the names of – seriously – every musician worth mentioning from America or Brasil from the past 50 years – plays percussion on the album and is joined by do Nascimento’s long time drummer, Ricardo “Tiki” Pasillas on trap drums. Do Nascimento and his girlfriend handle vocals on what is otherwise an airy instrumental album that allows the guitarist’s virtuosity to shine through originals, folkloric Brasilian songs, and select covers by the likes of Pascoal and Powell, both formative influences on the guitarist.
These duets show the camaraderie that two master Brasilian musicians – of two different generations, but of the same spirit – share with comrades of ages past as they imagine music for the years to come. These tracks were recorded live in the studio with no overdubs by producer Luther Russell and engineer Jason Hiller – straight to 2” analog-tape, and only sparingly mastered to focus on the subtleties of the performances.