Announcing: Oh No Vs. Now-Again 2 – Out Now!

Hip hop producer Oh No’s follow up to our first library offering: 4 years in the making and worth the wait! Out NOW on ltd. ed. CD/Now-Again Deluxe.

Oh No’s debut album for Now-Again was also the first in our music library series – and was one of our most successful exercises in creating modern “library music” for easy synchronization. For this entry, Oh No spent nearly four years combing through an infinitely-more-vast array of the ever-growing Now-Again’s catalog – from American soul, funk and jazz to Iranian folk to Zambian hard rock – to create a series of beats that range in mood and style and all contain Oh No’s trademark swagger. Fans of the variety of projects that Oh No is a part – from his Gangrene project with Alchemist to his production for the likes of Talib Kweli and Danny Brown – will be pleased with the variety of beats contained within.

This limited edition is CD is packaged in a “mini-LP” thick cardboard “tip-on” sleeve and is available in limited quantities. Once they’re gone, they’re gone. The album is also available digitally – with two bonus tracks – to our subscribers at Now-Again Deluxe. Listen to three tracks below, courtesy of Rappcats.com – our soon-to-be webstore partner!

Subscribe Now: https://drip.fm/nowagain

Posted in News

Out Now! Chop “Illuminate” Album/Free Download

Studio wizard Chop pulls out all of the analogue stops on the Motorik highway to Cybotron by way of a Tangerine Dream on his debut album for Now-Again. Album out NOW; download a free track below!

Mr. Chop’s debut EP for Now-Again in 2009, Lightworlds, drew together anthemic synth-rock, the jagged sound of Italian prog monsters Goblin, and musique concrète, with surprisingly accessible results. Since then, the artist known to friends as Coz Littler has rid himself of the Mister and returns with renewed focus for his debut album Illuminate known simply as Chop.

The path that took him here was winding indeed. Isolating himself in his Cheshire, UK studio in late 2009, Chop decided to try his hand at the nearly fifty year old – and rarely successful – quest to musically merge the organic and the electronic. Three years later, surrounded by a host of musical material and reeling from the passing of his father, his music started falling into itself and Chop found himself in the center of the spiral.

Enter his friend Joe Fearon, A&R for the likes of Liverpool bands The Coral and The Zutons. With Fearon’s help, Chop whittled down hours of recordings to a selection of the most inspired moments. It became clear that while each stood up on its own, they lacked a unifying theme. Chop discovered a solution in the mutated sound of his own voice – at times processed through a WWII-era bomber pilot’s reconditioned microphone, at others deconstructed via an early Texas Instruments computer. And then everything fell into place: Heliocentrics drummer Malcolm Catto’s rhythm tracks were edited off-the-grid until they became more Neu than James Brown, more driving than syncopated; Bill Ryder Jones from The Coral stepped in for the lead guitar parts, which lent a powerful psychedelic 60s rock sound to the proceedings; Chop repurposed a range of obsolete musical gear to renewed ends, in line with his desire to search for a future imbued with the innocence of the past.

The result is Illuminate, an album equally inspired by the retro-futurism of the still-sputtering 19th century power station in Northern Wales, across the estuary from Chop’s studio, the events of his life, and Chop’s collection of hip-hop, disco, new wave and minimal synth records. A record of extreme personal significance to Chop, the creation of its music conversely helped him to silence the chaos of an increasingly neurotic world and soothe the pain of his loss of his father.

Unsurprisingly, Illuminate traverses a number of moods. The jackhammer pounding of ‘Building Blocks’ segues into the moody but serene ‘Picture Box’. The futuristic soundscape ‘Arcane Future’ takes an uplifting melodic turn, revealing Chop’s hopes for a more perfect tomorrow. Tape loops and effects, field recordings and drum programming all play a role in Illuminate, and as the majority of the tracks were assembled far away from a detailed Pro-Tools grid, in what Chop calls a “mutant modern way of editing things,” This approach gives the songs a life of their own – equally electronic and human. Though it’s the most intellectual approach Chop has taken with his music to date, it retains a spontaneous feel throughout, and despite its technical accomplishments, Illuminate is Chop’s most intimate and personal album yet.

Buy: Chop Illuminate on Rappcats
Download: Chop “Building Blocks”

Posted in News

Heliocentrics X GLK Limited Edition Vinyl EP

Limited edition vinyl EP – HELIO GLK: The Gaslamp Killer chops, edits, echoes and scratches The Heliocentrics in two parts!

Earlier this year, we gave away a free download of the excellent Heliocentrics mix that our friend The Gaslamp Killer assembled out of selections from the band’s recent 13 Degrees of Reality album and previously unreleased tracks. We’re happy to announce that – at GLK’s request – it’s now available as a limited edition vinyl EP, for sale now at rappcats.com. What’s more – we’re putting together another EP so you can hear the full versions of the chopped, echoed, scratched and as-of-yet still unreleased killer material GLK has been listening to. It’ll be called The Quatermass Sessions Part One and we’ll tell you more about it soon. Watch this space!

Buy: HELIO GLK EP at Rappcats

Posted in News

Egon’s Funk Archaeology at RBMA: James Brown’s Funky (White) Drummer

Linked below: Egon’s newest Funk Archaeology post at Red Bull Music Academy’s website, this time digging into a largely unheralded funk legend, the white drummer, singer and sometimes producer William “Beau Dollar” Bowman, whose unique style of drumming influenced leagues, from they hey day of funk to the birth of punk.

The exclusive download this time around: the full version of JB’s “I Can’t Stand Myself (When You Touch Me),” Beau Dollar’s crowning moment. A funk masterwork that we’re – shh! – giving you a nice copy of for, well, being here.

The New Series: William “Beau Dollar” Bowman – Egon’s Funk Archaeology at Red Bull Music Academy.
The Old Series: Egon’s Funk Archaeology at NPR.
Download: James Brown with The Dapps: “I Can’t Stand Myself (When You Touch Me) – Full Version”