Via Rappcats, on Egon’s mix done for the release of Madlib’s Rock Konducta album:

“This is a mix of late 60s to mid 70s rock music from all over the world: America to Germany to Japan and everywhere in-between. It’s the type of rock Madlib used for the Rock Konducta records, and is a mixture of the incredibly rare and random dollar bin finds that makes crate digging in the rock idiom so much fun. A lot of this is underground – one example was literally recorded by Dusseldorf twenty-somethings in a bomb-shelter, a literally exorcising of Nazi demons through Krautrock – and some of it is from bands that had pop aspirations but recorded something heavy and probably a bit odd as the one-off awesome track on an otherwise forgettable album. Live mix using 2 CDJs, no edits, some mistakes, that’s the way it goes. Shout outs to Twink, Bunker Records, Franz Wippel, any band that spells April with a “y” instead of an “i,” state-run labels from former communist countries who had the nerve to get down with hard psych and Madlib, of course, for finding the funk in all of this.”

Coming this summer – proto-punk and garage Zamrock! The celebrated guitarist Paul Ngozi’s essential debut album. Featuring Chrissy Zebby Tembo. Hardbound casebook CD; ltd. deluxe LP edition contains bonus disc with rare 7″ tracks. Out 08.26 – download a free mp3 now!

We’ve been talking about an anthology centered around Zambian guitarist/vocalist Paul Ngozi for a while now. And – while we’re not there just yet, we’re announcing the issue of his masterwork. His debut album – issued under the name Ngozi Family – is important record: not just in the Zamrock genre, but in the global rock canon. Day of Judgement is an introduction to the most intense, raw and inimitable golden era Zamrock recorded, as it paved the way for a dozen Paul Ngozi and Ngozi Family releases (the most famous being drummer Chrissy Zebby Tembo’s My Ancestors) that straddled the line between funk and punk, of driving hard rock and Zambian folk melodies and rhythms.

Day of Judgement was released in 1976, the same year as other, now famous, Zamrock albums, from WITCH’s Lazy Bones!! to Rikki Ililonga’s Zambia to Musi-O-Tunya’s Give Love To Your Children, all reissued on Now-Again. But Day of Judgement sounds like none of its counterparts. Part of that stems from its frenzied primitivism, the Ngozi Family’s attempt to overcome a lack of musical acumen with sheer force of will.

That will allowed Paul Ngozi to overcome a humble upbringing to become the most unlikely combination: Zamrock’s most beloved star in its brief but now-well chronicled arc; the only musician to maintain his fame and recording prowess in the dark ages of the ’80s; an inspiration to not only aging but young Zambians — and now others, beyond Zambia’s borders.

But one cannot imagine Paul Ngozi without this album, a full-on aural assault that sounds as wild nearly forty years after its release as it must have sounded in the developing Zamrock landscape from which it emerged. We listen to this anachronistic yet prescient album now as a wholly original, completely unpredictable album in line with those from mavericks from across the world – from the Ramones to the Sex Pistols to Death. And, though it’s been over two decades since Paul Ngozi’s passing, his voice and vision still seem exciting, powerful, unique, unvarnished, new.

Day of Judgement will see release as a hardbound casebook CD and in LP form. A limited deluxe edition of the LP will contain a bonus disc which collects four songs from rare Ngozi Family 7″ singles, issued contemporaneously with Day of Judgement.

Day of Judgement will be available to our subscribers at Now-Again Deluxe two weeks prior to the album’s release date. Download a free MP3 from the album – the devastating “Hi Babe” – below.

Download: “Hi Babe”