Warehouse Find – Stark Reality Tee Shirts

Buy via our webstore at rappcats.com.

Back in 2003, Jeff Jank designed these tee shirts for Egon’s Stones Throw Records Stark Reality compilation Now. Our merch partner from those days, The Giant Peach, found a small stack of these as they changed warehouses last month. They sent ’em our way and we’re blowing ’em out. When they’re gone, they’re gone.

If you’ve not heard this band’s wondrous music yet, you can download a track here – and watch a video clip of the performance of the same song on the WGBH Hoagy Carmichael’s Music Shop program, which aired for an unbelievable season in the early 1970s. Imagine being a kid on that show. C’mon now.

Stark Reality’s two essential LPs Discovers Hoagy Carmichael’s Music Shop and Roller Coaster Ride are available as stand-alone LP’s, and come with a download card for all tracks and a digital version of the extensive booklet we presented in our box set.

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Egon, Madlib and Jeff Jank bring DJ Shadow’s Pop Up Record Shop to Rappcats in LA

DJ Shadow will be at Rappcats – right next door to NA HQ! – in Los Angeles on Saturday and Sunday, September 10-11, selling used vinyl, tapes, posters from his collection, and a new, exclusive, limited-edition vinyl: “The Sideshow”

Rappcats and DJ Shadow present:

The First Annual DJ Shadow Storage Sale
September 10-11, 2016, Noon–6PM
5636 York Blvd, Los Angeles CA 90042

-Hundreds of used vinyl LPs, 45s, and 12″s culled from Shadow’s private collection
-Deleted DJ Shadow web-store product, including limited items and rarities
-A brand-new, exclusive vinyl single “Sideshow” available ONLY at this sale
-A collector’s smorgasbord of 8-Tracks, cassettes, posters, and other oddities
-Strong coffee c/o Intelligentsia; strong conversation
-Grip-free pricing
-Rotating stock both days

If you’ve been following Now-Again for the past couple years, you know that Egon’s been selling pieces from his record collection in a series of pop up record shops at Rappcats. This time, it’s Egon’s buddy – collector extraordinaire DJ Shadow – doing the selling. While Shadow’s not selling his collection, he is pulling back the curtain on a brace of dupes he’s managed to process over the last few years. Expect a strange and broad assortment of lesser-seen vinyl in all genres, most offered under $15, and with an effort to price well below established online value. “This is a chance for producers, dealers, and DJ’s to access seldom-seen and eclectic vinyl at affordable prices,” says Shadow. “These are all records I have other copies of, and I’ve decided that I don’t need to keep multiples. Think of it as a year-long thrift-store hunt consolidated into two days.”

In addition, there’s the outliers: good music in unfairly ignored formats such as 8-Track, reel-to-reel, and cassette. The man himself will of course be on hand to sign anything and everything, or just to say hello. Love music? Love records? Love hanging out with cool folks? Then you’ll have a good time at The First Annual DJ Shadow Storage Sale. See you there!

There Was Rock Music In 70s Zimbabwe?

More info/purchase: Wells Fargo’s Watch Out!
More info/purchase: Power to the People! A survey of Zimbabwe’s revolutionary 70s rock scene.

To answer the questionYES, there was rock music in 70s Zimbabwe. And it sounded like this:

Just as the hippie era came to an end in America, a second sixties was beginning. In what is now Zimbabwe, young people created a rock and roll counterculture that drew inspiration from hippie ideals and the sounds of Hendrix and Deep Purple. The electrifying music they made was nearly lost to history. They called it “heavy,” and a few listens to the above linked track will tell you why.

The heavy rock scene has been almost forgotten, even in Zimbabwe. We at Now-Again are reissuing their work for the first time since its was initially released in small runs of seven inch singles, and for the first time ever outside of Southern Africa. The music was brought to light by the combined efforts of researcher Matthew Shechmeister and Albert Nyathi, a celebrated Zimbabwean poet and musician.

When these songs were recorded, Zimbabwe was known as Rhodesia, a former British colony that broke from the Empire to preserve white rule. In the mid-70s, Zimbabwe’s War of Independence began in earnest. Pro-democracy parties grew in strength, and their armed wings battled the Rhodesian military from bases in neighboring Zambia and Mozambique. Guerilla units infiltrated Rhodesian territory, and along with thousands of demonstrators, engaged the security forces with increasing boldness. In urban townships, young people picked up where the Band of Gypsies left off, creating their own brand of politically-charged rock and roll.

Dozens of groups, primarily from black townships, brought together tens of thousands of young progressives of all backgrounds. They created their own Woodstock, an event that made national headlines and stomped on racial taboos, uniting fans from all of Rhodesia’s ethnic and racial communities. Bands in the scene gigged furiously, playing all-night shows in the townships, flouting police curfews. Fans grappled with cops that tried to enforce the rules, and some rock shows turned into all-out battles with the riot squad. Rockers were beaten, tear-gassed, arrested, and mauled by police dogs. But they kept coming back, night after night, packing venues across Rhodesia.

Though primarily driven by live shows, many of the scene’s leading lights did make it onto vinyl. The band Eye Q got the attention of local labels with its smash hit “Please the Nation,” a political song that snuck by the censors and became a hot-selling single. The band Wells Fargo was also at the forefront of the scene, and the title track of their album Watch Out! was the anthem of the counterculture. Though a bank might seem like a strange namesake for a revolutionary rock group, the founder thought he was borrowing the words from a work of fiction. He had seen them in a cowboy comic book, and liked the association with the lawless frontier. The song “Watch Out,” originally titled “Have Gun Will Travel,” urged young progressives to head to the borders, which the liberation forces had turned into lawless frontiers of a different sort.

But when the War of Independence was won in 1980, the frontier was gone, and outlaw rock and roll felt out of date. Though the majority of heavy rock music had not been political, the scene was bound up with a social rebellion against racial and ethnic divisions. After the white minority was out of power, segregation laws were repealed, and that rebel cause also lost its urgency. And even when rock was at its peak, many leading musicians focused on creating a renaissance of African culture, which had been marginalized during a century of white rule. Chimurenga, which became Zimbabwe’s dominant musical style, takes its name from the Shona word for “revolutionary struggle.” The genre is based on the traditional music of Zimbabwe, but is played on electric instruments and a modern drum kit. The arrangement is a lot like a rock group, and the genre’s most famous figure got his start as rock guitarist. Nonetheless, the heavy rock sound is long gone, though its message of optimism and courage remains timeless. And we will continue to give you reasons to investigate the scene further in this and coming years.

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Shipping to Subscribers Now – Spiritual Jazz Masterpieces by World’s Experience Orchestra, LP #2 In Now-Again Reserve

We’ve reissued the 1975 and 1980 albums by World’s Experience Orchestra this summer as one specially packaged 2/LP set – and it’s shipping to subscribers now. This is the second release in Now-Again Reserve, our deluxe vinyl subscription. The first was Paternoster. The next is Marvin Whoremonger.

SUBSCRIBE: NOW-AGAIN RESERVE

The essence of Underground, Spiritual Jazz, figuratively and literally: their first album was recorded in a Boston church’s basement. Both World’s Experience Orchestra albums were committed to vinyl by a visionary, bassist/composer/arranger John Jamyll Jones. He’s a magical type, who communicates with his instrument, his ensembles, and jazz’s ancient lineage in a manner so profound that his late-‘70s album are out of time with jazz’s trajectory, but timeless when presented today.

Read the full subscription details.

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25% Off Sale During Egon’s Pop Up Record Shop At Rappcats – July 16th

Egon pop up record shop at Rappcats
Saturday, July 16, 2015
Noon — 5PM
5636 York Blvd,
Los Angeles CA 90042

On July 16th, Egon’s hosting a record store at Rappcats, selling records from his collection, one-day only. This is the second pop up of 2016, and will be done every quarter, with unique records being made available at each event. For this event, he’s selling rare records from Iran – from 60s garage rock 45s to 70s funk LP’s to Iranian jazz and folk. Of course, records from African funk to space jazz to psychedelic rock will also line the walls of the new 1500 square foot Rappcats space in Highland Park.

Now-Again recently issued Iranian rock legend Kourosh’s latest album, Malek Jamshid, which was banned from release in his home country. Egon’s first Kourosh anthology, Back From The Brink, is still available in 3LP, 7″ box set and CD formats. An entire set of Kourosh’s original Iranian pressed 45s in NM condition will be on offer at the pop up.

Also available will be the entire Now-Again catalog — for a one day discount of 25% less than our normal retail. If you can’t make it to Highland Park, all online Now-Again orders from the Rappcats store placed on July 16th will receive a 25% discount as well.

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