Ships immediately via our webstore; available WW where good music is sold.
1LP in a chipboard jacket with WAV download card.
1CD in a 6-panel, eco-wallet case.
Tempo dos Mestres (Time of the Masters) is the second album from the tireless, young Brasilian guitarist Fabiano Do Nascimento. It finds its roots in the depths of the Amazon rain forest, passed down through generations of Native Brasilians, and is imbibed by the Afro-Brasilian culture that arose after Portuguese colonization. It is the third Brasilian album released on Now-Again, following Seu Jorge and Almaz and Do Nascimento’s debut Dança dos Tempos. Do Nascimento’s is joined on Tempo dos Mestres by his long time percussionist, Ricardo “Tiki” Pasillas on trap drums and percussion, and Sam Gendel on saxophone and flute. Vocals are performed by Thalma de Freitas and Carla Hasset.
The album was produced and mixed by Dança dos Tempos producer Luther Russell, who recorded Do Nascimento and his band directly to a 1/2″ Ampex tape machine with engineer Jason Hiller. It was sparingly mastered by Elysian Masters to focus on the subtleties of the performances. Do Nascimento’s fans include legendary percussionist Airto Moreira, who recorded Dança dos Tempos and can be found playing live with Do Nascimento. “He’s Brazilian but (his mind is) from a place in Brazil that is not common.” Moreira states. “Fortunately, we still have some musicians who like to play music and who like to touch the instrument and who like that energy!”
Below, a short video about the album by Bennett Pisctelli.
Rare rap records and ephemera from NYC’s underground hip hop mecca, from its founder’s collection.
Saturday, February 25, 2017, Noon-6
5638 York Blvd
Los Angeles CA 90042
Rappcats is bringing the collection from Fat Beats founder Joe Abajian to Los Angeles for a one day pop up. Fat Beats, in its first incarnation in the East Village NYC in 1994, was the epicenter of the ‘90s East Coast independent rap explosion. In the days before web-stores, collectors and fans from all over the world made pilgrimages to this hip hop mecca to buy the latest vinyl releases by their heroes. Whether the release was a rare double vinyl LP on a major label or one of a five-hundred press run released by a fledgling indie, Fat Beats stocked it all. It’s hard to describe just how thrilling it was to walk down the steps at 332 East 9th St, feel the heat from the overhead lamps, and hear the likes of DJ Avee play Jay Z’s “In My Lifetime” as a new release on his self-funded Roc-A-Fella records, but that’s exactly the mise en scene of the environment. It was ’90s hip hop at its best, and the scene was welcoming. At its height, Fat Beats employed DJ Eclipse, Mista Sinister, Ill Bill, Q-Unique and other NYC hip hop staples who would happily recommend records to anyone who walked in the door. (more…)
David Axelrod, visionary producer, composer and arranger – and one of the patron saints of this label – died earlier this week at nearly 86 years old. He and Egon were friends for nearly two decades; Egon produced the David Axelrod anthology The Edge for Blue Note/Capitol Records in 2005 and did numerous interviews with him which were published in Big Daddy and Waxpoetics magazines, amongst others.
Axe died sometime in the early morning of February 5th, 2017, at nearly 84 years old. Terri, his wife of 38 years, didn’t want to disclose the cause of his death, saying that the only thing that really mattered is that he was gone. What do you say to a person so dedicated to another, in that first moment of loss, when that other is a force so beyond the normal that you never thought he would leave? “He just seemed indestructible,” she said, and I knew what she meant. Axe signed off every call with an “I’ll be here.” And, like everything he said, he meant it. (more…)
Just as the hippie era came to an end in America, a second 60s was beginning. In what is now Zimbabwe, young people created a rock and roll counterculture that drew inspiration from hippie ideals and the sounds of Hendrix and Deep Purple. The kids in the scene called their music “heavy,” because they could feel its impact, and it resonated from Zambia to Nigeria.
At its peak in the mid-70s, the heavy rock scene united tens of thousands of young progressives of all racial and social backgrounds. The country was called Rhodesia then, one of the last bastions of white rule in Africa, and heavy rockers defied segregation laws and secret police to make a stand for democratic change.
Wells Fargo was at the forefront of the scene, and the title track of this album, Watch Out, was the anthem of the counterculture. This is the first time their music has been issued outside of Zimbabwe. Matthew Shechmeister tells the story of Wells Fargo drawing on interviews with the band’s remaining members and numerous trips to Zimbabwe to investigate the genesis of the heavy rock scene under Ian Smith’s oppressive government, and its dissipation after Zimbabwe’s liberation. Never-before-published photographs and rare ephemera color the vibrant era of which this band was part.
This single LP comes with download card for WAV files and 72 page digital PDF that details the history of Zimbabwe’s hear rock scene and the trajectory of Wells Fargo. CD is packaged in a 72 page hard cover book details the the history of Zimbabwe’s heavy rock scene and the trajectory of Wells Fargo. (A bundle of both LP and CD/hard cover book is available at a discounted price in our store.) Never before seen photographs and ephemera color a story so hard to believe that it has to be true.
They have been known to deep soul, funk and disco collectors for decades for their sought after 7” “Watching Out/Dazed,” long thought to be the band’s only recordings. Egon tracked down Split Decision Band’s vocalist and songwriter Gordon Starr Flipping in the hopes of more and got it – with Watching Out, Now-Again presents a never-before-released album of devastatingly good disco and boogie from the unlikely city of Des Moines, Iowa. Flipping’s collaborations with Prince made him a Midwestern legend, but his band’s music is more than an urban tall tale – this album finally proves to the world their merits. Subscribers also receive Now-Again’s reissue of Split Decision Band’s original 7” – not available elsewhere.
In response to subscriber comments, Now-Again has made some changes to the Now-Again Reserve subscription: Lower price ($50/quarter); more exclusive music on vinyl for subscribers; gatefold jackets are now made in North America on standard cardstock; CDs are now made in North America as 6-panel eco-wallets; vinyl manufacturing will now take place at both Quality and United Record Pressing. The wooden case is discontinued. The wooden case will only be available to subscribers who purchased the first four releases in Now-Again Reserve – or will purchase the first four releases via the “Catch Me Up” option. Supplies limited.